Teen maar review

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Story: Movie begins electrifying with introductions of Arjun Palwayi (Pawan Kalyan) and Michael Velayudam (Pawan Kalyan) symbolizing the contrasting warriors of love belonging to two different generations. Arjun is a chef in Cape Town(South Africa), who represents the image of contemporary youth with pleasure attitude. He is more confused about 'Love' and the kind of girl who would suit him better. Every relation for him is logical. Michael Velayudam takes us into a 30 year flash back with clear opinion on 'Love' and ready to dare attitude for the girl whom he loves.

In present, Michael Velayudam meets cute girl Meera Shastri (Trisha). They get into an intimate relation immediately with romantic lip-locks. Apparently, they enjoy a special connection but misses to identify that they are in love. Story takes a turn when Meera is to go to India on a professional appointment. Michael Velayudam doesn't believe in long distance relation ship breaks up with Meera. Now, the new character of Senapati (Paresh Rawal) is introduced to meet Michael enumerating the love story of his friend Arjun Palwayi that took place in Varanasi with sweet traditional girl Vasumati (Kriti Kharbhanda).

With shuttling love episodes between present Michael and past Arjun, story lands into an interesting situation. Meanwhile Meera's marriage is fixed with Indian politician Sudir (Sonu Sood) but she hides the true love for Michael. How did Arjun's winning of Vasumati 30 years ago affected the life style of Michael. How did he realize the true meaning of love for Meera forms rest of the story.

Artists Performance: Pawan Kalyan's capability to own any kind of youth characters is highly impressive. His eccentric behavior as Michael Velayudam is although exhaustive but scored points with dedicated portrayal of Arjun Palwayi. Trisha gets the new spark in her look with flirtatious figure. Kriti Kharbhanda is innocent faced with clean expressions visible in her eyes. Ali evoked laughter with drunkard role. Paresh Rawal got highly influential character and he played dealt it well. Tanikella Barani, Kasi Viswanath, Mukesh Rishi, MS Narayana and others were at their best.

Plus Points:

Pawan Kalyan's presence - After a lengthy slump period he delivered the best.

Trisha - She looked gorgeous in this fading stage of career. With skin tight costumes Trisha managed to flaunt her curves.

Romantic episodes – There are three simple lip kisses between Pawan Kalyan and Trisha, which were highly cheered by audience. Romantic chemistry between the two worked superbly.

Trivikram Srinivas – Story sways between present and past very often. Trivikram’s script made it easy for audience to understand else it could be cumbersome and confused. Dialogues stood apart and are best part of the film.

Jayant C Paranjee – He was successful in sustaining the ambience of love through out. After Puri Jagannath, SJ Surya and Karunakaran, Jayant dealt the image of Pawan Kalyan correctly.

Cinematography – Jayanan Vincent travels through South Africa, Varanasi, Mysore and New York catching pleasant picturesque locations.

Music – Mani Sharma's songs are composed as for the demand of situation. 'Vayyarala Jabilli' takes the top honors.

Ganesh Babu – Production cost of the film is visible on screen.

Minus Points:

Weak starting – Michael Velayudham bores audience for first 20 minutes.

Weak second half – This kind of love stories doesn't provide space for any mind blocking twists. So, clearly second half is dragged a bit.

Re-recording – Spot dubbing for many scenes missed the quality and clarity in dialogues.

Swanky story – Audience in urban metros and A centres digest the neoteric story easily. There is nothing in film for mass public in lower centres.

Analysis: Pawan Kalyan comes back into his success course with positive spirits. His stylish body language amalgamated with punch dialogues from Trivikram will provide full fun for audience. Entire Teen Maar is a one man show. Eventually love making followed by break up and then patch up kind of stories are seen in many films. Teen Maar is differently treated with an old story line. Time may run out years by years, generations might change one by one but flavor of true 'Love' remains the same. In the same manner, flops may hit him year by year and expectations might increase step by step but Pawan Kalyan remains the king of Tollywood Box Office for ever. Precisely success of Teen Maar is assured unconditionally.

Verdict: It's time for Teen Maar - Pawan Kalyan Rocks!

Rating: 3.5/5

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