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Robert Abele of the Los Angeles Times calls Rab Ne Bana Di Jodi an "agreeably amusing comedy/romance/musical" noting that, "the magnetic Khan is a skilled enough comic actor with his physical transformation — like a Peter Sellers-ish recessive turning into a Jerry Lewis extrovert — that believing Taani wouldn't notice isn't difficult".[8] Rachel Saltz of The New York Times describes it as "'soft, sweet and slow,' in the words of one of its songs. It deftly blends comedy, the ruling tone of the new Bollywood, with melodrama, the ruling tone of the old."[9] Manish Gajjar of the BBC gave the film four out of five stars noting that, "Shah Rukh Khan makes you laugh and cry as the nerdy-looking, clumsy, bespectacled Surinder and the all hip and happening Raj. A true professional in his in his own right, Khan breezes through his dialogues full during the emotional and comic scenes."[10] Frank Lovece of Film Journal International argues that it is "smarter and more self-aware of its rom-com contrivances than most Hollywood movies" and notes that while "movie's cleverness eventually devolves into a simplistic Harlequin-Romance-for-males wish-fulfillment about beauty and the geek, it's a very well-acted variation on a Hollywood staple."[11] Critic and author Maitland McDonagh of MissFlickChick.com stated that the film, "has been dismissed in some quarters as self-conscious and artificial, a coyly self-referential reworking of outdated movie tropes a la Todd Haynes' Far From Heaven, but it works for me in a way that most contemporary Hollywood romcoms don't." [