Ilanti Vichitramaina Incidents Inka Emaina Telusa Meeku.....

[mettastar]

[quote name='George_Brahmi_III' timestamp='1376418532' post='1304109993']
It really does man. Manavallu old ages nunchi vantalu chesetappudu they mix pasuppu. Our parents do that. We wash praws/chicken with pasupu. Not until recently that scientists found that it is an excellent antibiotic. Do u think our ancestors r fools to use haldi in day to day use or do u believe its just coinxidence ?
[/quote]
even we put pasupu to inti gadapa same reason...

[Yuva Nataratna]

[center][quote name='micxas' timestamp='1376416879' post='1304109799']


[color=#000000][font=arial, helvetica, sans-serif][size=3][size=4]The mystaries and power of Indian Vedic and Chemical Sciences and power of ‘Vedic Mantras’ can not be understood by the present day little knowledged scientists of the world. I can quote one example that some centuries ago in India one Scientist a descendent of ‘Vishwakarma god’ (the Sculptor God) built a ‘Magnetic Fort’ in which it was said that he had hidden several powerful disastrous weapons which were said to be more powerful than the present day nuclear weapons and mysterious flights to fly from one plant to another planet. The king of the region, tried on several occasions to intrude into the Fort by blasting the main door of the ‘Magnetic Fort’, but never succeeded in his attempts. Finally the king sent a beautiful women to lure the son of the Scientist who built the ‘Magnetic Fort’, to know the secret of opening the door of the Fort, by offering ‘sex’ for him several days and finally she succeeds in extracting the secret of opening the main door of the Fort. The son of the ‘Scientist’ reveals that the door of the ‘Magnetic Fort’ can be opened only by melting the door by burning a kind grass called ‘Aareka’ in front of the door. The king immediately gets the grass and keeps the ‘Aareka’ grass in front of the Fort’s main door and and lits it, without kowing how much quantity of grass has to be used to melt down the Fort's main door. So, unfortunately the entire fort gets burnt in fire, including the King’s Fort and his buildings and its surrounding areas up to several hundreds of kilometers gets smashed in the flames. But the Scientist flies away in his mysterious flight towards other part of the globe, which is said to be the present ‘European continent’. That was the mysterious power of the Indian Vedic scientists and ‘Siddha purushas’ whose mysterious devine and scientific power could not be understood by present day scientists. [/size][/size][/font][/color][/center]


[/quote]

GP.....

[Yuva Nataratna]

[quote name='Diana' timestamp='1376414638' post='1304109552']
[img]http://1.bp.blogspot.com/-mIXUn8MVdSU/ThVKmDTETFI/AAAAAAAABAk/CLfTTFiY5PI/s1600/417180-bigthumbnail.jpg[/img]
[size=3][color=#333333][font=Arial][color=black][b]And those mysterious powers or ‘Bhandanams’ (ties) continue to exists protecting the treasures, till they are extricated or released by chanting withdrawing (like anti-dotes) ‘mantras. But, those Kings, Siddhapurushas, or Mantrikas all who are no more existing, without leaving any records of those withdrawl manthras to release or extricate such mysterious powers, is the greatest misfortune to this present generation.[/b]The scriptures around Sri Lakshmi Narasimha Swami Temple says that the Treasure can not be taken out now by any one, as still one more generation has to pass as per the dates mentioned in the Scripture.[/color][/font][/color]
[b][color=#333333][font=Arial][color=black]Similarly in Vundavalli rock caves in Guntur district of Andhra Pradesh, there is a 15 feet single stone Sri Anantha Padmanabha Swami Statue which resembles Sri Anantha Padmanabha Swami of Tiruvananthapuram, where it is said there is a large Treasure inside the caves and it has also got a secret tunnel towards Temple of Panakala Lakshmi Narasimha Swami Temple which is located on a Passive Valcano in Mangaliri road in Guntur district Ten years ago, some Adventurists who entered into caves by not heeding the warnings of temple priests, have never turned back. Still throughout India even today the people with avarice to make big money, try to dig the ancient temples now and then, but they are never succeeding in their efforts, as they are facing several mysterious diseases or deaths during their misadventures.[/color][/font][/color][/b][/size]

[/quote]

GP...

[spidereddy]

[quote name='Yuvaa' timestamp='1376418511' post='1304109991']
what's your problem dude.... If you don't like a thread, don't post in that.....
[/quote]
i do lyk this thread..infact m loving it..

[dotnetrockz]

add ysr too...Tirupathi lo christainity ni spread cheddam ani chusadu......papam mashi ayipoyadu [img]http://www.desigifs.com/sites/default/files/bemmi.whistle_0.gif?1302961118[/img]

[spidereddy]

[quote name='Diana' timestamp='1376418579' post='1304110000']
ok go and try to open the temple 6th vault and come again we all waiting to discuss on this wonderful topic with you
[/quote]
sure done..

[spidereddy]

[quote name='George_Brahmi_III' timestamp='1376418532' post='1304109993']
It really does man. Manavallu old ages nunchi vantalu chesetappudu they mix pasuppu. Our parents do that. We wash praws/chicken with pasupu. Not until recently that scientists found that it is an excellent antibiotic. Do u think our ancestors r fools to use haldi in day to day use or do u believe its just coinxidence ?
[/quote]
yes now its making sense..sry my bad

[spidereddy]

[quote name='Nissan' timestamp='1376419217' post='1304110098']
add ysr too...Tirupathi lo christainity ni spread cheddam ani chusadu......papam mashi ayipoyadu [img]http://www.desigifs.com/sites/default/files/bemmi.whistle_0.gif?1302961118[/img]
[/quote]
so true..

[Spartan]

[img]http://gifsoup.com/view4/1376984/brahmi-praying-o.gif[/img]

[Yuva Nataratna]

[quote name='Nissan' timestamp='1376419217' post='1304110098']
add ysr too...Tirupathi lo christainity ni spread cheddam ani chusadu......papam mashi ayipoyadu [img]http://www.desigifs.com/sites/default/files/bemmi.whistle_0.gif?1302961118[/img]
[/quote]

If he really had that non-hindu intentions, then good thing happened.... [img]http://www.desigifs.com/sites/default/files/bemmi.whistle_0.gif?1302961118[/img]

[Spartan]

Source: http://crazy-at-123.blogspot.com/2010/10/modern-phycis-with-our-hindu-religion.html


Super string theory, predicts that there can be only 10 or 26 dimensions in space , this number is itself a puzzle and totally depends on a number used by great Indian scientist Ramanujan in his mathematical theorem used in string theory.

In Hindu religion, it is said that there are 7 loks below earth ['Atala', 'Vitala', 'Sutala', 'Talatala', 'Rasatala', 'Mahatala', 'Patala' and 'Bhur'];

'Bhur' is earth, which is a reference to this 3-D universe. Others can be represented by a unique dimension.

As others have a substring 'tala' appended in each actually have a meaning-- 'tala' means a surface which eventually represents a 2-D plane. Now if with respect to this 3-D universe, you add a new dimension, as you taking this universe as a reference it will behave asif it were a single line, it will make a plane w.r.t this 3-D universe with that added dimension. Hence supports some intuition regarding it.

Now calculating total dimensions:
total = 7 [ 'tala' ] + 3 [ 'Bhur'] + 1 [time]
= 11

Although there are 6 more loka above earth. they can all be fitted inside a number 26.
Hence supporting our Superstring theory's result.

[Spartan]

[b] Nataraj: The Dancing Shiva[/b]

[b] The Origin of the Nataraj Form:[/b]

An extraordinary iconographic representation of the rich and diverse cultural heritage of India, it was developed in southern India by 9th and 10th century artists during the Chola period (880-1279 CE) in a series of beautiful bronze sculptures. By the 12th century AD, it achieved canonical stature and soon the Chola Nataraja became the supreme statement of Hindu art.
[b] The Vital Form & Symbolism:[/b]

In a marvelously unified and dynamic composition expressing the rhythm and harmony of life, Nataraj is shown with four hands represent the cardinal directions. He is dancing, with his left foot elegantly raised and the right foot on a prostrate figure — 'Apasmara Purusha', the personification of illusion and ignorance over whom Shiva triumphs. The upper left hand holds a flame, the lower left hand points down to the dwarf, who is shown holding a cobra. The upper right hand holds an hourglass drum or 'dumroo' that stands for the male-female vital principle, the lower shows the gesture of assertion: "Be without fear."
Snakes that stand for egotism, are seen uncoiling from his arms, legs, and hair, which is braided and bejeweled. His matted locks are whirling as he dances within an arch of flames representing the endless cycle of birth and death. On his head is a skull, which symbolizes his conquest over death. Goddess Ganga, the epitome of the holy river Ganges, also sits on his hairdo. His third eye is symbolic of his omniscience, insight, and enlightenment. The whole idol rests on a lotus pedestal, the symbol of the creative forces of the universe.
[b] The Significance of Shiva's Dance:[/b]

This cosmic dance of Shiva is called 'Anandatandava,' meaning the Dance of Bliss, and symbolizes the cosmic cycles of creation and destruction, as well as the daily rhythm of birth and death. The dance is a pictorial allegory of the five principle manifestations of eternal energy — creation, destruction, preservation, salvation, and illusion. According to Coomerswamy, the dance of Shiva also represents his five activities: 'Shrishti' (creation, evolution); 'Sthiti' (preservation, support); 'Samhara' (destruction, evolution); 'Tirobhava' (illusion); and 'Anugraha' (release, emancipation, grace).
The overall temper of the image is paradoxical, uniting the inner tranquility, and outside activity of Shiva.
[b] A Scientific Metaphor:[/b]

[url="http://www.fritjofcapra.net/shiva.html"]Fritzof Capra[/url] in his article "The Dance of Shiva: The Hindu View of Matter in the Light of Modern Physics," and later in the [i]The Tao of Physics[/i] beautifully relates Nataraj's dance with modern physics. He says that "every subatomic particle not only performs an energy dance, but also is an energy dance; a pulsating process of creation and destruction…without end…For the modern physicists, then Shiva's dance is the dance of subatomic matter. As in Hindu mythology, it is a continual dance of creation and destruction involving the whole cosmos; the basis of all existence and of all natural phenomena."
[b] The Nataraj Statue at CERN, Geneva:[/b]

In 2004, a 2m statue of the dancing Shiva was unveiled at CERN, the European Center for Research in Particle Physics in Geneva. A special plaque next to the Shiva statue explains the significance of the metaphor of Shiva's cosmic dance with quotations from Capra: "Hundreds of years ago, Indian artists created visual images of dancing Shivas in a beautiful series of bronzes. In our time, physicists have used the most advanced technology to portray the patterns of the cosmic dance. The metaphor of the cosmic dance thus unifies ancient mythology, religious art and modern physics."


To sum up, here's an excerpt from a beautiful poem by Ruth Peel:

[i]"The source of all movement,
Shiva's dance,
Gives rhythm to the universe.
He dances in evil places,
In sacred,
He creates and preserves,
Destroys and releases.[/i]
[i]We are part of this dance
This eternal rhythm,
And woe to us if, blinded
By illusions,
We detach ourselves
From the dancing cosmos,
This universal harmony…"[/i]

[Teluguammayi]

Science of Ancient Temples


[size=1]
Temples have always played a central role in Indian society.[/size]
Temples have always played a central role in Indian society. Apart from being focal points of education, art and culture, they also served as powerful energy centers. Ancient temples were thus built not as places for prayer, but as a vortex of energy where if people were receptive and willing, they could transform themselves in a very deep way.
The design and construction of these temples were fairly intricate and built to a complex calculation involving physical and metaphysical elements. The [i]parikrama[/i] or the walkway of the temple, for example, along with the [i]garbha griha[/i] or the sanctum sanctorum, the shape and the size of the idol, the[i]mudra[/i] held by the idol and the mantra used for the consecration of the temple, determined the fundamental parameters in the design.
Based upon a deep understanding of the inner energies of the human system, these elements were built in order to create a powerful space for inner transformation. For example, it is held even today in some parts of Indian culture that when one visits a temple one should sit silently for a little while. Offering worship or prayers are not considered paramount but, if one were to leave the temple without sitting down for some time, the entire visit is considered fruitless.
This is so, because temples were built as public charging sites, where people could charge themselves with an inner energy. People visited temples daily before they started their day, so that they could go about their lives with an enhanced sense of balance and depth.
Over time, the underlying understanding of temples and the science behind their construction and usage gave way to rituals and traditions, making temples more a place for prayer and worship.
Dhyanalinga Yogic Temple is unique in that it is designed and consecrated by Sadhguru with the same kind of deep understanding and mastery over the inner energies, through the inner sciences of yoga.

[Ladies_Tailor]

wow... keka post mams....

post more info...

[Yuva Nataratna]

http://youtu.be/c8TV2G0iyGE