Ramayya, Maaku Enti Ee Torture Ayya?

[JackBaur]

[color=#000000][font=Tahoma][size=3]
[b][u]Behind the Movie Ramayya Vastavayya:[/u][/b] Director Harish Shankar is quite on a high with superb success of ‘Gabbar Singh’ has got the dates of Junior NTR with Dil Raju readily accepting the script. Let us see, how good this Ramayya is able to entertain us. [/size][/font][/color][color=#000000][font=Tahoma][size=3]
[b][u]In the Movie Ramayya Vastavayya:[/u][/b] Story begins in Coorg with businessman Naga Bhushanam (Mukesh Rishi) attacked by two assailants (Ajay, Bharani) during his daughter’s engagement. Bringing the focus back to Hyderabad, there is Naga Bhushanam’s second daughter Aakarsha (Samanta) and grand ma Baby Shamili (Rohini Hattangadi). On the other side is youth batch of Nandu (Junior NTR) and his friends. It’s the same old game where Nandu falls in first look love with Aakarsha. Using all the wits and some silly funny episodes with grand ma, Nandu gets close to Aakarsha and travels to Coorg for attending her elder sister’s marriage. Here comes the sudden twist as Nandu, who is believed as savior of Naga Bhushanam family in turn kills all of them. Police Officer Avinash (Rao Ramesh) is on the duty to investigate the case easily cracks Nandu as the murderer. [/size][/font][/color][color=#000000][font=Tahoma][size=3]
But, why Nandu is burning with revenge dates back to a flashback in fertile village of Aditya Puram and sweet girl Ammulu (Shruti Hasan). How Minister Umapathi (Kota) and his son Bikshapathi (‘Arundathi’ Ravi Shankar) along with Naga Bhushanam eyed on the village lands and what kind of bloodshed they created? What happened to the entire family of Nandu aka Ramayya? All this leads to action filled climax. [/size][/font][/color][color=#000000][font=Tahoma][size=3]
[b][u]Values of the Movie Ramayya Vastavayya:[/u][/b] Openly and strictly warning on the very first line of my analysis, Junior NTR is the only positive factor for the film else this is a complete scrap. Harish Shankar’s magical touch of ‘Gabbar Singh’ is completely missed here. Neither there is proper screenplay nor novelty in direction. Story itself is pathetic, seen and seen numerous times from 1980s till date. Please do not ask about the worthless background and main musical score of SS Thaman. Except one or two new dance moments in first song, choreographers did not strain him much. Into the cinematography, Chota K Naidu’s brilliance was absent. Same is the case with Goutham Raju’s editing which looked shaky with abnormal bumps. Well, blaming it on producer Dil Raju…how a man with so much commitment and proper judgment accepted this sort of script and story is a doubt polluting my mind through out the film. Production values are also quite dull. [/size][/font][/color][color=#000000][font=Tahoma][size=3]
Performance wise, Junior NTR is perfect in a youth look with casual costumes and easy going attitude guy. His mannerisms in romantic track with Samanta saved the first half. Once the interval twist is unlocked, Tarak goes back to his axe and knife techniques to see the massacre. Shruti Hasan was cute in second half but the voice dubbed for her character was invariant. Samanta has not got a role to perform. Thanks Harish took at least some care in making Sam look gorgeous on-screen with variety of modern attires. Ravi Shankar, a hyper sexual disorder villain comes late to leave his spark. Kota did well while Rao Ramesh’s interrogation approach is foolhardy. Nagineedu, Bharani, Ajay, Tanikella, Pragathi, Rohini Hattangadi, NTR’s friend batch etc just struck to their portions.[/size][/font][/color][color=#000000][font=Tahoma][size=3]
[b][u]Out of the Movie Ramayya Vastavayya:[/u][/b] The basic flaw of this movie lies in story and scripting. Where these two sections are completely hollow, Harish should have concentrated on adding some sparks with his dialogues and a little of special episodes. Such thing never happened as his attempt to sketch a good romantic track between NTR-Samanta using Rohini Hattangadi and legendary NTR has much more sunken. Then it is again a 1980-90’s model of drive leading to interval. Basically, Harish seems to have lost his intelligence and sophistication in elevating the heroism. As per my knowledge, only the first encounter between NTR-Ravi Shankar stood out as best in the movie. Rest is predictable and botched. [/size][/font][/color][color=#000000][font=Tahoma][size=3]
Coming to Dil Raju, a strong believer in offering big emotional peaks to his stories and scripting style has given a sloppy hand. Composition and placement of songs, picturization of the same comes like enhancing our headache. In one line, this is not a project and this is not the quality audience expect from a spectacular combination of NTR-Dil Raju-Harish Shankar. The kind of over-confidence Dil Raju poured before media and on audio launch stage is surely a humbug to make quick bucks with strong opening collections. Even for NTR fans, there is lot more expected and you feel of falling short. Anyways, opening records are guaranteed and definitely, a long run is impossible here. [/size][/font][/color][color=#000000][font=Tahoma][size=3]
[b][u]Cinejosh Verdict of the Movie Ramayya Vastavayya: [/u][/b]Ramayya… Maaku Emi Torture Ayya…[/size][/font][/color][color=#000000][font=Tahoma][size=3]
[b][u]Cinejosh Rating: 2.5[/u][/b][/size][/font][/color]

[kevvkeka]

BIGGEST HIT OF THE YEAR thank god AD has released a week ahead otherwise it would be a disaster.......

[k2s]

[quote name='kevvkeka' timestamp='1381472095' post='1304394149']
BIGGEST HIT OF THE YEAR thank god AD has released a week ahead otherwise it would be a disaster.......
[/quote]lol

[TOM_BHAYYA]

CineJosh is Pro-Mega man.. how could we expect good review from him

[eela]

mega josh

[AndhraAkilesh]

[quote name='TOM_BHAYYA' timestamp='1381472469' post='1304394174']
CineJosh is Pro-Mega man.. how could we expect good review from him
[/quote]


Mari indaka edo theddu vesav bb annollu andaru vachi ani


[IMG]http://i43.tinypic.com/10rs938.gif[/IMG]

[rambabu007]

[b] Atharintiki Daaredi Review[/b]

[b][u]Behind the Movie AD:[/u][/b] The name of Power Star is enough to make us go crazy. Entire state has been waiting to see what Pawan-Trivikram combo has done this time. Rightly, the movie is scheduled to release today and Fans thronged to theatres from midnight to get their first show tickets. Anyways, let us go into the review first.
[b][u]In the Movie AD:[/u][/b] Story begins with kidnap of Sasi (Samanta) by a small group of goons (Dhanraj, Venu etc). Here she narrates the three months flashback story of Goutham Nanda (Pawan Kalyan).
Goutham belongs to a multi billionaire business family of Nanda living in Italy. He is the grand-son to old man Raghuram Nanda (Boman Irani), who has the only dream to get his daughter Sunanda (Nadiya) integrated into the family. Into the flashback, Sunanda goes against the wish of her father to marry a small advocate Sekhar (Rao Ramesh). Now, Goutham sets himself on a journey to India to bring back his Aththa Sundanda.
In India, here is Sunanda living with two daughters Pramila (Praneetha) and Sasi (Samanta) running a star hotel business. As the first initiative, Goutham hides his original identity as Siddhu to joins as Sunanda’s Car driver becoming very close to Prameela. What happened later on when Prameela is already in love with Rahul (Bharath Reddy)? When did Sunanda realize the truth about Siddhu? How and when Sasi fell in Siddhu’s love? Why did Baddam Bhaskar (Brahmanandam) land in India from Uganda? Who is Aththapur Bab (Pawan Kalyan)? All these smoothly take the movie towards an emotionally high pitched climax.
[b][u]Values of the Movie AD:[/u][/b] The best and superb positives of the film are obviously Pawan Kalyan’s performance and Trivikram’s writing power. In fact, we may not find those strong punches of Trivikram’s brand or else the regular Pawan’s trademark style. Yet, AD is wonderful for a new format of treatment. It is rare to see a complete family entertainer shouldered on single character and the way Pawan’s role is designed is something new and innovative. Next, screenplay runs on beaten lines with an old pattern. Prasad Murella’s cinematography is outstanding with richness oozed in every frame. More over, he even caught a new charm in Pawan’s face. Editing by Prawin Pudi is smooth with no hiccups. DSP is super talented. All the songs stood as chartbusters and the same are presented well on screen. DSP’s background score needs a special applause. Production wise, BVSN Prasad and SVCC needs a standing ovation.
On performance front, we can see a brand new Pawan Kalyan with cutting edge smartness and a controlled flow of emotions from him. Especially, climax portions will mesmerize audience goosing the sentimental affection to a new peak. In comedy portions; as Aththapur Baba with Brahmi, as a head strong billionaire who can purchase anything with money using workers MS and Narra Sreenu, as romantic partner to Samanta…everywhere Pawan looked perfect. While Samanta got very few to perform in second half, Praneetha is expressive with beautiful eyes. Nadiya was elegant and Rao Ramesh is proving to be a best alternative to Prakashraj.
On the other side, Boman Irani showed the sensitiveness as old man and Mukesh Rishi too did well. Ali as Male Nurse rocked his portions along with Raghu Babu, Brahmaji, Gayathri, Ahuti Prasad and Kadambari Kiran Kumar etc struck to their roles. Brahmanandam has become monotonous for these dummy characterizations. Nevertheless, he is still entertaining in Ahalya-Indra episode which was needlessly prolonged.
[b][u]Out of the Movie AD:[/u][/b] Unlike a conventional Pawan Kalyan whom we have seen many times in the past, Trivikram took too much of care in stretching his hero’s character. Story runs very slow with a delayed screenplay, thankfully the connections in stream are not disturbed due to enormous grandeur spilled in all the scenes. For Fans, who love to see a different Power Star with no old shades…you will enjoy this one. For mass audience, there is something definitely lacking to call this as a mass entertainer.
More than following to the accustomed tone of narration, Trivikram showed creativity in many scenes. Examples are being, Rao Ramesh showcasing the pain of heart-attack to family members or Pawan explaining the real meaning of being happy in climax. These are the qualities which make Trivikram-Pawan different from others. Technically, they might be awesome. When it comes to common audience point of view, they had a weak plot and moronic narration testing the patience. This is the area which has done the damage from deterring AD to stand as average or above average product from a hit or super hit. Comparatively, second half has more of stuff, drama and humor than that of first half. Few minutes of movie can be trimmed off urgently.
Commercially, AD will open to mind blowing record opening collections. First and second weeks, there will be no stoppage. Right judgment on what is the exact BO target AD can reach will be decided only on how far family audience will become repeat audience and how far Ad will have a long run. As of now, Atharintiki Daaredi will lead the way for new Box Office records for sure.
[b][u]Cinejosh Verdict of AD:[/u][/b] A Complete Family Entertainer.
[b][u]Cinejosh Rating: 3[/u][/b]

[JackBaur]

[quote name='TOM_BHAYYA' timestamp='1381472469' post='1304394174']
CineJosh is Pro-Mega man.. how could we expect good review from him
[/quote]

emo bhayya indaaka search chestunte dorikindi. information kosam ikkada vesanu.

[TOM_BHAYYA]

[quote name='IamN0tTrouble' timestamp='1381472535' post='1304394181']
Mari indaka edo theddu vesav bb annollu andaru vachi ani


[img]http://i43.tinypic.com/10rs938.gif[/img]
[/quote]
How many children you have?? tell me

[narap1i]

[quote name='JackBaur' timestamp='1381472014' post='1304394146']

[color=#000000][font=Tahoma][size=3][b][u]Behind the Movie Ramayya Vastavayya:[/u][/b] Director Harish Shankar is quite on a high with superb success of ‘Gabbar Singh’ has got the dates of Junior NTR with Dil Raju readily accepting the script. Let us see, how good this Ramayya is able to entertain us. [/size][/font][/color]
[color=#000000][font=Tahoma][size=3][b][u]In the Movie Ramayya Vastavayya:[/u][/b] Story begins in Coorg with businessman Naga Bhushanam (Mukesh Rishi) attacked by two assailants (Ajay, Bharani) during his daughter’s engagement. Bringing the focus back to Hyderabad, there is Naga Bhushanam’s second daughter Aakarsha (Samanta) and grand ma Baby Shamili (Rohini Hattangadi). On the other side is youth batch of Nandu (Junior NTR) and his friends. It’s the same old game where Nandu falls in first look love with Aakarsha. Using all the wits and some silly funny episodes with grand ma, Nandu gets close to Aakarsha and travels to Coorg for attending her elder sister’s marriage. Here comes the sudden twist as Nandu, who is believed as savior of Naga Bhushanam family in turn kills all of them. Police Officer Avinash (Rao Ramesh) is on the duty to investigate the case easily cracks Nandu as the murderer. [/size][/font][/color]
[color=#000000][font=Tahoma][size=3]But, why Nandu is burning with revenge dates back to a flashback in fertile village of Aditya Puram and sweet girl Ammulu (Shruti Hasan). How Minister Umapathi (Kota) and his son Bikshapathi (‘Arundathi’ Ravi Shankar) along with Naga Bhushanam eyed on the village lands and what kind of bloodshed they created? What happened to the entire family of Nandu aka Ramayya? All this leads to action filled climax. [/size][/font][/color]
[color=#000000][font=Tahoma][size=3][b][u]Values of the Movie Ramayya Vastavayya:[/u][/b] Openly and strictly warning on the very first line of my analysis, Junior NTR is the only positive factor for the film else this is a complete scrap. Harish Shankar’s magical touch of ‘Gabbar Singh’ is completely missed here. Neither there is proper screenplay nor novelty in direction. Story itself is pathetic, seen and seen numerous times from 1980s till date. Please do not ask about the worthless background and main musical score of SS Thaman. Except one or two new dance moments in first song, choreographers did not strain him much. Into the cinematography, Chota K Naidu’s brilliance was absent. Same is the case with Goutham Raju’s editing which looked shaky with abnormal bumps. Well, blaming it on producer Dil Raju…how a man with so much commitment and proper judgment accepted this sort of script and story is a doubt polluting my mind through out the film. Production values are also quite dull. [/size][/font][/color]
[color=#000000][font=Tahoma][size=3]Performance wise, Junior NTR is perfect in a youth look with casual costumes and easy going attitude guy. His mannerisms in romantic track with Samanta saved the first half. Once the interval twist is unlocked, Tarak goes back to his axe and knife techniques to see the massacre. Shruti Hasan was cute in second half but the voice dubbed for her character was invariant. Samanta has not got a role to perform. Thanks Harish took at least some care in making Sam look gorgeous on-screen with variety of modern attires. Ravi Shankar, a hyper sexual disorder villain comes late to leave his spark. Kota did well while Rao Ramesh’s interrogation approach is foolhardy. Nagineedu, Bharani, Ajay, Tanikella, Pragathi, Rohini Hattangadi, NTR’s friend batch etc just struck to their portions.[/size][/font][/color]
[color=#000000][font=Tahoma][size=3][b][u]Out of the Movie Ramayya Vastavayya:[/u][/b] The basic flaw of this movie lies in story and scripting. Where these two sections are completely hollow, Harish should have concentrated on adding some sparks with his dialogues and a little of special episodes. Such thing never happened as his attempt to sketch a good romantic track between NTR-Samanta using Rohini Hattangadi and legendary NTR has much more sunken. Then it is again a 1980-90’s model of drive leading to interval. Basically, Harish seems to have lost his intelligence and sophistication in elevating the heroism. As per my knowledge, only the first encounter between NTR-Ravi Shankar stood out as best in the movie. Rest is predictable and botched. [/size][/font][/color]
[color=#000000][font=Tahoma][size=3]Coming to Dil Raju, a strong believer in offering big emotional peaks to his stories and scripting style has given a sloppy hand. Composition and placement of songs, picturization of the same comes like enhancing our headache. In one line, this is not a project and this is not the quality audience expect from a spectacular combination of NTR-Dil Raju-Harish Shankar. The kind of over-confidence Dil Raju poured before media and on audio launch stage is surely a humbug to make quick bucks with strong opening collections. Even for NTR fans, there is lot more expected and you feel of falling short. Anyways, opening records are guaranteed and definitely, a long run is impossible here. [/size][/font][/color]
[color=#000000][font=Tahoma][size=3][b][u]Cinejosh Verdict of the Movie Ramayya Vastavayya: [/u][/b]Ramayya… Maaku Emi Torture Ayya…[/size][/font][/color]
[color=#000000][font=Tahoma][size=3] [b][u]Cinejosh Rating: 2.5[/u][/b][/size][/font][/color]
[/quote]
nuvvu pakkaki 10gavayya

[JackBaur]

[quote name='Old_Man' timestamp='1381472653' post='1304394188']
[b] Atharintiki Daaredi Review[/b]

[b][u]Behind the Movie AD:[/u][/b] The name of Power Star is enough to make us go crazy. Entire state has been waiting to see what Pawan-Trivikram combo has done this time. Rightly, the movie is scheduled to release today and Fans thronged to theatres from midnight to get their first show tickets. Anyways, let us go into the review first.
[b][u]In the Movie AD:[/u][/b] Story begins with kidnap of Sasi (Samanta) by a small group of goons (Dhanraj, Venu etc). Here she narrates the three months flashback story of Goutham Nanda (Pawan Kalyan).
Goutham belongs to a multi billionaire business family of Nanda living in Italy. He is the grand-son to old man Raghuram Nanda (Boman Irani), who has the only dream to get his daughter Sunanda (Nadiya) integrated into the family. Into the flashback, Sunanda goes against the wish of her father to marry a small advocate Sekhar (Rao Ramesh). Now, Goutham sets himself on a journey to India to bring back his Aththa Sundanda.
In India, here is Sunanda living with two daughters Pramila (Praneetha) and Sasi (Samanta) running a star hotel business. As the first initiative, Goutham hides his original identity as Siddhu to joins as Sunanda’s Car driver becoming very close to Prameela. What happened later on when Prameela is already in love with Rahul (Bharath Reddy)? When did Sunanda realize the truth about Siddhu? How and when Sasi fell in Siddhu’s love? Why did Baddam Bhaskar (Brahmanandam) land in India from Uganda? Who is Aththapur Bab (Pawan Kalyan)? All these smoothly take the movie towards an emotionally high pitched climax.
[b][u]Values of the Movie AD:[/u][/b] The best and superb positives of the film are obviously Pawan Kalyan’s performance and Trivikram’s writing power. In fact, we may not find those strong punches of Trivikram’s brand or else the regular Pawan’s trademark style. Yet, AD is wonderful for a new format of treatment. It is rare to see a complete family entertainer shouldered on single character and the way Pawan’s role is designed is something new and innovative. Next, screenplay runs on beaten lines with an old pattern. Prasad Murella’s cinematography is outstanding with richness oozed in every frame. More over, he even caught a new charm in Pawan’s face. Editing by Prawin Pudi is smooth with no hiccups. DSP is super talented. All the songs stood as chartbusters and the same are presented well on screen. DSP’s background score needs a special applause. Production wise, BVSN Prasad and SVCC needs a standing ovation.
On performance front, we can see a brand new Pawan Kalyan with cutting edge smartness and a controlled flow of emotions from him. Especially, climax portions will mesmerize audience goosing the sentimental affection to a new peak. In comedy portions; as Aththapur Baba with Brahmi, as a head strong billionaire who can purchase anything with money using workers MS and Narra Sreenu, as romantic partner to Samanta…everywhere Pawan looked perfect. While Samanta got very few to perform in second half, Praneetha is expressive with beautiful eyes. Nadiya was elegant and Rao Ramesh is proving to be a best alternative to Prakashraj.
On the other side, Boman Irani showed the sensitiveness as old man and Mukesh Rishi too did well. Ali as Male Nurse rocked his portions along with Raghu Babu, Brahmaji, Gayathri, Ahuti Prasad and Kadambari Kiran Kumar etc struck to their roles. Brahmanandam has become monotonous for these dummy characterizations. Nevertheless, he is still entertaining in Ahalya-Indra episode which was needlessly prolonged.
[b][u]Out of the Movie AD:[/u][/b] Unlike a conventional Pawan Kalyan whom we have seen many times in the past, Trivikram took too much of care in stretching his hero’s character. Story runs very slow with a delayed screenplay, thankfully the connections in stream are not disturbed due to enormous grandeur spilled in all the scenes. For Fans, who love to see a different Power Star with no old shades…you will enjoy this one. For mass audience, there is something definitely lacking to call this as a mass entertainer.
More than following to the accustomed tone of narration, Trivikram showed creativity in many scenes. Examples are being, Rao Ramesh showcasing the pain of heart-attack to family members or Pawan explaining the real meaning of being happy in climax. These are the qualities which make Trivikram-Pawan different from others. Technically, they might be awesome. When it comes to common audience point of view, they had a weak plot and moronic narration testing the patience. This is the area which has done the damage from deterring AD to stand as average or above average product from a hit or super hit. Comparatively, second half has more of stuff, drama and humor than that of first half. Few minutes of movie can be trimmed off urgently.
Commercially, AD will open to mind blowing record opening collections. First and second weeks, there will be no stoppage. Right judgment on what is the exact BO target AD can reach will be decided only on how far family audience will become repeat audience and how far Ad will have a long run. As of now, Atharintiki Daaredi will lead the way for new Box Office records for sure.
[b][u]Cinejosh Verdict of AD:[/u][/b] A Complete Family Entertainer.
[b][u]Cinejosh Rating: 3[/u][/b]
[/quote]


AD review veedu okkade correct ga vesadu bhayya....anduke konchem reliable ga anipinchi RV review vesa.

[narap1i]

[quote name='Old_Man' timestamp='1381472653' post='1304394188']
[b] Atharintiki Daaredi Review[/b]

[b][u]Behind the Movie AD:[/u][/b] The name of Power Star is enough to make us go crazy. Entire state has been waiting to see what Pawan-Trivikram combo has done this time. Rightly, the movie is scheduled to release today and Fans thronged to theatres from midnight to get their first show tickets. Anyways, let us go into the review first.
[b][u]In the Movie AD:[/u][/b] Story begins with kidnap of Sasi (Samanta) by a small group of goons (Dhanraj, Venu etc). Here she narrates the three months flashback story of Goutham Nanda (Pawan Kalyan).
Goutham belongs to a multi billionaire business family of Nanda living in Italy. He is the grand-son to old man Raghuram Nanda (Boman Irani), who has the only dream to get his daughter Sunanda (Nadiya) integrated into the family. Into the flashback, Sunanda goes against the wish of her father to marry a small advocate Sekhar (Rao Ramesh). Now, Goutham sets himself on a journey to India to bring back his Aththa Sundanda.
In India, here is Sunanda living with two daughters Pramila (Praneetha) and Sasi (Samanta) running a star hotel business. As the first initiative, Goutham hides his original identity as Siddhu to joins as Sunanda’s Car driver becoming very close to Prameela. What happened later on when Prameela is already in love with Rahul (Bharath Reddy)? When did Sunanda realize the truth about Siddhu? How and when Sasi fell in Siddhu’s love? Why did Baddam Bhaskar (Brahmanandam) land in India from Uganda? Who is Aththapur Bab (Pawan Kalyan)? All these smoothly take the movie towards an emotionally high pitched climax.
[b][u]Values of the Movie AD:[/u][/b] The best and superb positives of the film are obviously Pawan Kalyan’s performance and Trivikram’s writing power. In fact, we may not find those strong punches of Trivikram’s brand or else the regular Pawan’s trademark style. Yet, AD is wonderful for a new format of treatment. It is rare to see a complete family entertainer shouldered on single character and the way Pawan’s role is designed is something new and innovative. Next, screenplay runs on beaten lines with an old pattern. Prasad Murella’s cinematography is outstanding with richness oozed in every frame. More over, he even caught a new charm in Pawan’s face. Editing by Prawin Pudi is smooth with no hiccups. DSP is super talented. All the songs stood as chartbusters and the same are presented well on screen. DSP’s background score needs a special applause. Production wise, BVSN Prasad and SVCC needs a standing ovation.
On performance front, we can see a brand new Pawan Kalyan with cutting edge smartness and a controlled flow of emotions from him. Especially, climax portions will mesmerize audience goosing the sentimental affection to a new peak. In comedy portions; as Aththapur Baba with Brahmi, as a head strong billionaire who can purchase anything with money using workers MS and Narra Sreenu, as romantic partner to Samanta…everywhere Pawan looked perfect. While Samanta got very few to perform in second half, Praneetha is expressive with beautiful eyes. Nadiya was elegant and Rao Ramesh is proving to be a best alternative to Prakashraj.
On the other side, Boman Irani showed the sensitiveness as old man and Mukesh Rishi too did well. Ali as Male Nurse rocked his portions along with Raghu Babu, Brahmaji, Gayathri, Ahuti Prasad and Kadambari Kiran Kumar etc struck to their roles. Brahmanandam has become monotonous for these dummy characterizations. Nevertheless, he is still entertaining in Ahalya-Indra episode which was needlessly prolonged.
[b][u]Out of the Movie AD:[/u][/b] Unlike a conventional Pawan Kalyan whom we have seen many times in the past, Trivikram took too much of care in stretching his hero’s character. Story runs very slow with a delayed screenplay, thankfully the connections in stream are not disturbed due to enormous grandeur spilled in all the scenes. For Fans, who love to see a different Power Star with no old shades…you will enjoy this one. For mass audience, there is something definitely lacking to call this as a mass entertainer.
More than following to the accustomed tone of narration, Trivikram showed creativity in many scenes. Examples are being, Rao Ramesh showcasing the pain of heart-attack to family members or Pawan explaining the real meaning of being happy in climax. These are the qualities which make Trivikram-Pawan different from others. Technically, they might be awesome. When it comes to common audience point of view, they had a weak plot and moronic narration testing the patience. This is the area which has done the damage from deterring AD to stand as average or above average product from a hit or super hit. Comparatively, second half has more of stuff, drama and humor than that of first half. Few minutes of movie can be trimmed off urgently.
Commercially, AD will open to mind blowing record opening collections. First and second weeks, there will be no stoppage. Right judgment on what is the exact BO target AD can reach will be decided only on how far family audience will become repeat audience and how far Ad will have a long run. As of now, Atharintiki Daaredi will lead the way for new Box Office records for sure.
[b][u]Cinejosh Verdict of AD:[/u][/b][size=6] A Complete Family Entertainer[/size].
[b][u]Cinejosh Rating: 3[/u][/b]
[/quote]
aa word ki meaning telusa...aa review raasina naakoduki

[AndhraAkilesh]

[quote name='TOM_BHAYYA' timestamp='1381472688' post='1304394192']

How many children you have?? tell me
[/quote]
Single


[IMG]http://i43.tinypic.com/10rs938.gif[/IMG]

[TOM_BHAYYA]

[quote name='IamN0tTrouble' timestamp='1381472842' post='1304394203']
Single


[img]http://i43.tinypic.com/10rs938.gif[/img]
[/quote]

tell me whom you select your wife or you single child??

[AndhraAkilesh]

[quote name='TOM_BHAYYA' timestamp='1381472950' post='1304394213']


tell me whom you select your wife or you single child??
[/quote]

Of course child
[IMG]http://i43.tinypic.com/10rs938.gif[/IMG]